E-mail (required, never displayed) I have composed music and designed sound for theater, radio, film get free credit report Marquette and video since the early 1980s. These projects have included either live performance accompaniment or pre-recorded compositionsoften a combination of both. The following tools and virtually any recordable sound are the material I employ, get free credit report Marquette including: radio broadcasts; environmental sounds; digital and analog get free credit report Marquette processing; invented instruments; amplified objects; invented instruments; voice, synthesized get free credit report Marquette sounds and traditional instrumentation.
In a few cases get free credit report Marquette my theater sound projects have bordered on sound installations. In other situations my approach blurs and merges the conventional distinctions between the roles of DJ, foley sound effects artist, composer, engineer, and instrumentalist. In a few cases I have also been called upon to join the acting cast or dancers even. The tools I use most are ones that so far refuse to become obsolete: a Korg MS-20 analog synthesizer, Oberheim Echoplex Digital Pro, an AM/FM pocket radio, contact microphones, and two or three get free credit report Marquette guitar effects pedals. The Springboard remains my main instrument because it enables me to make a wide variety of compelling sounds and music. The making of one's own tools for sound-making-as-art seems to be the best way to equip one's self to face the challenges of finding ways to create, and to make innovative sonic art, design and music in a wide variety of contexts. My theater, radio, film and video projects have get free credit report Marquette been seen and heard in performances and broadcasts throughout North America and Europe, and as far as away from the US as Africa and Australia. free credit report request Some notable artists and groups I have worked with include South African choreographer Robyn Orlin, the Chicago-based theater companies Plasticene, Prop Theater, and Latino Chicago Theater, NY-based vocal-performance artist Lynn Book, and Chicago e-poet Kurt Heintz, and Canadian sound-radio artist Anna Friz. For a complete list, please consult my curriculum vitae. Short listening examples of my work are on my composer and performer page. Compositions & Sound get free credit report Marquette Design for Film, Video & Dance Reduccion, film by Stephen Mazurek, Ruffian Pictures, 2007 Frozen, film by get free credit report Marquette Gretchen Hasse, 2002 Urban Tribe, film by Jennie Halliday, 2000 Faust, by Robyn Orlin, music composed with Gert Anklam, performed at the Hebbel Theater, Berlin; Studio du CND, Paris, 2000. Desire, film by Scott Marshall, 1997 The Polka Dot Lives On, by get free credit report Marquette Robyn Orlin, performed by the Soweto Dance Theatre for the FNB Vita Dance Umbrella, Johannesburg, South Africa, 1995 In a corner the sky surrenders, by get free credit report Marquette Robyn Orlin, performed at Northwestern University, Evanston, and in Australia, England, Belgium, and South Africa, 199496 The get free credit report Marquette explosion of stars is not only reserved for ticketholders, dance performance by Robyn Orlin, Dance Center of get free credit report Marquette Columbia College, Chicago, also in Basel, Switzerland, in Grahamstown, Durban, and Johannesburg, South Africa by the Natal Performing Arts Council (NAPAC) Dance Company, 199295 Untitled live broadcasts, solo and with Neil Jendon, Jason Soliday, Carol Genetti, Yuko Nexus6, and Michael Zerang, on Something Else, WLUW-FM Chicago, and The Expansion Experiment, WNUR-FM Evanston, 20012006 Animism with Carol Genetti for Experimental Sound Studio's Outer Ear Festival broadcast on WNUR, WHPK, WLUW, and WZRD, 2000 Untitled live broadcasts with Steve Barsotti, Dan Burke, Fregus Kelly, Tod Sweczyk, Bill Talsma, and Toshi Makihara on Something Else, WLUW-FM Chicago, 19962000 SoundPlay for Sabine and Urban Archeology broadcast on "Internationale Digitale Radio Kunst," curated by Sabine Breitsameter at Sender Freies Berlin, 1995 Untitled live broadcast, Wormwood, WZRD-FM, Chicago, 1994 Beyond the Pale, radio broadcast of Urban Archeology by A.A.R.T., Irish Museum of Modern Art, get free credit report Marquette Dublin, 199394 (See Urban Archeology in Performances, above) Performance, Composition & Sound Design for Theater Until One Falls, directed by Dexter Bullard, created and performed get free credit report Marquette by Plasticene, Center for Performing Arts, Miami University, Oxford, Ohio, 2008 One False Note, Or How To Rob a Bank, directed by Dexter Bullard, created and performed by Plasticene, music creaated and performed with Dylan Posa and Jason Soliday, The Storefront Theater, Chicago, 2006 Live Feed 11.11.05, directed by Dexter Bullard, created and performed by Plasticene, National Pastime Theater, 2006 The Perimeter, directed by Sharon Gpfert, created and performed by Plasticene, Viaduct Theater, Chicago, 2004 BlankSlate, directed by Dexter Bullard, created and performed by Plasticene, for the 2nd Annual PAC/edge get free credit report Marquette Festival, Chicago, 2004 The Palmer Raids, directed by Dexter Bullard, created and performed by Plasticene, The National Pastime Theater and PAC/edge Festival, Chicago, and The Ohio get free credit report Marquette Theater, New York 200203 Flight, directed by Dexter Bullard, created and performed by Plasticene, The Museum of Science and Industry, Chicago, 2003 And So I get free credit report Marquette May Return, directed by Dexter Bullard, created and performed by Plasticene, The Viaduct, Chicago, 2002 Head Poison, directed by Dexter Bullard, created and performed by Plasticene, Storefront Theater - Gallery 37 Center for the Arts, Chicago, 2001 Come Like Shadows, directed by Dexter Bullard, created and performed by Plasticene, music with Bill Talsma, Chopin Theatre, 1999 After the Seance, written by Cheryl Tyrkv, directed by Michael Stumm, The Hideout, Chicago, 1999 4X4, by Plasticene, directed by Dexter Bullard, Rhinoceros Theater Festival, Chicago, 1999 VOL. credit
free once a year credit reportE-mail (required, never displayed) I have composed music and designed sound for theater, radio, film get free credit report Marquette and video since the early 1980s. These projects have included either live performance accompaniment or pre-recorded compositionsoften a combination of both. The following tools and virtually any recordable sound are the material I employ, get free credit report Marquette including: radio broadcasts; environmental sounds; digital and analog get free credit report Marquette processing; invented instruments; amplified objects; invented instruments; voice, synthesized get free credit report Marquette sounds and traditional instrumentation.
In a few cases get free credit report Marquette my theater sound projects have bordered on sound installations. In other situations my approach blurs and merges the conventional distinctions between the roles of DJ, foley sound effects artist, composer, engineer, and instrumentalist. In a few cases I have also been called upon to join the acting cast or dancers even. The tools I use most are ones that so far refuse to become obsolete: a Korg MS-20 analog synthesizer, Oberheim Echoplex Digital Pro, an AM/FM pocket radio, contact microphones, and two or three get free credit report Marquette guitar effects pedals. The Springboard remains my main instrument because it enables me to make a wide variety of compelling sounds and music. The making of one's own tools for sound-making-as-art seems to be the best way to equip one's self to face the challenges of finding ways to create, and to make innovative sonic art, design and music in a wide variety of contexts. My theater, radio, film and video projects have get free credit report Marquette been seen and heard in performances and broadcasts throughout North America and Europe, and as far as away from the US as Africa and Australia. Some notable artists and groups I have worked with include South African choreographer Robyn Orlin, the Chicago-based theater companies Plasticene, Prop Theater, and Latino Chicago Theater, NY-based vocal-performance artist Lynn Book, and Chicago e-poet Kurt Heintz, and Canadian sound-radio artist Anna Friz. For a complete list, please consult my curriculum vitae. Short listening examples of my work are on my composer and performer page. Compositions & Sound get free credit report Marquette Design for Film, Video & Dance Reduccion, film by Stephen Mazurek, Ruffian Pictures, 2007 Frozen, film by get free credit report Marquette Gretchen Hasse, 2002 Urban Tribe, film by Jennie Halliday, 2000 Faust, by Robyn Orlin, music composed with Gert Anklam, performed at the Hebbel Theater, Berlin; Studio du CND, Paris, 2000. Desire, film by Scott Marshall, 1997 The Polka Dot Lives On, by get free credit report Marquette Robyn Orlin, performed by the Soweto Dance Theatre for the FNB Vita Dance Umbrella, Johannesburg, South Africa, 1995 In a corner the sky surrenders, by get free credit report Marquette Robyn Orlin, performed at Northwestern University, Evanston, and in Australia, England, Belgium, and South Africa, 199496 The get free credit report Marquette explosion of stars is not only reserved for ticketholders, dance performance by Robyn Orlin, Dance Center of get free credit report Marquette Columbia College, Chicago, also in Basel, Switzerland, in Grahamstown, Durban, and Johannesburg, South Africa by the Natal Performing Arts Council (NAPAC) Dance Company, 199295 Untitled live broadcasts, solo and with Neil Jendon, Jason Soliday, Carol Genetti, Yuko Nexus6, and Michael Zerang, on Something Else, WLUW-FM Chicago, and The Expansion Experiment, WNUR-FM Evanston, 20012006 Animism with Carol Genetti for Experimental Sound Studio's Outer Ear Festival broadcast on WNUR, WHPK, WLUW, and WZRD, 2000 Untitled live broadcasts with Steve Barsotti, Dan Burke, Fregus Kelly, Tod Sweczyk, Bill Talsma, and Toshi Makihara on Something Else, WLUW-FM Chicago, 19962000 SoundPlay for Sabine and Urban Archeology broadcast on "Internationale Digitale Radio Kunst," curated by Sabine Breitsameter at Sender Freies Berlin, 1995 Untitled live broadcast, Wormwood, WZRD-FM, Chicago, 1994 Beyond the Pale, radio broadcast of Urban Archeology by A.A.R.T., Irish Museum of Modern Art, get free credit report Marquette Dublin, 199394 (See Urban Archeology in Performances, above) Performance, Composition & Sound Design for Theater Until One Falls, directed by Dexter Bullard, created and performed get free credit report Marquette by Plasticene, Center for Performing Arts, Miami University, Oxford, Ohio, 2008 One False Note, Or How To Rob a Bank, directed by Dexter Bullard, created and performed by Plasticene, music creaated and performed with Dylan Posa and Jason Soliday, The Storefront Theater, Chicago, 2006 Live Feed 11.11.05, directed by Dexter Bullard, created and performed by Plasticene, National Pastime Theater, 2006 The Perimeter, directed by Sharon Gpfert, created and performed by Plasticene, Viaduct Theater, Chicago, 2004 BlankSlate, directed by Dexter Bullard, created and performed by Plasticene, for the 2nd Annual PAC/edge get free credit report Marquette Festival, Chicago, 2004 The Palmer Raids, directed by Dexter Bullard, created and performed by Plasticene, The National Pastime Theater and PAC/edge Festival, Chicago, and The Ohio get free credit report Marquette Theater, New York 200203 Flight, directed by Dexter Bullard, created and performed by Plasticene, The Museum of Science and Industry, Chicago, 2003 And So I get free credit report Marquette May Return, directed by Dexter Bullard, created and performed by Plasticene, The Viaduct, Chicago, 2002 Head Poison, directed by Dexter Bullard, created and performed by Plasticene, Storefront Theater - Gallery 37 Center for the Arts, Chicago, 2001 Come Like Shadows, directed by Dexter Bullard, created and performed by Plasticene, music with Bill Talsma, Chopin Theatre, 1999 After the Seance, written by Cheryl Tyrkv, directed by Michael Stumm, The Hideout, Chicago, 1999 4X4, by Plasticene, directed by Dexter Bullard, Rhinoceros Theater Festival, Chicago, 1999 VOL.
ไม่มีความคิดเห็น:
แสดงความคิดเห็น